GRA002 - Whispers EP

by Jamaica Suk

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  • Record/Vinyl + Digital Album

    12" Vinyl

    Includes unlimited streaming of GRA002 - Whispers EP via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
2.
A2 Fallen 06:21
3.
B1 Whispers 06:25
4.

about

A1_Stinger Ray kicks off the EP with zingy modular-style synth sounds pulsing over a bubbling, murky bassline. Sheet metal snares punctuate the beat, with a switch-up halfway through into gnarled, distorted synth crunches catching you unaware. These brutalised rhythms morph in and out of hypnotic arpeggiated pulses to make for a hallucinatory ride with ample dashes of psychedelia throughout.

A2_Fallen sets it outs stall immediately, with filtered down acidic bass playing out a jagged groove. A manic counterpart mimics its rhythm but dizzyingly delayed off the beat to create a rugged, funk-fuelled feel. Cymbal rides pitch up and down; unidentified snarls of FX mutate around the edges; all the while the sharp hi-hats keep the metronomic heartbeat going.

B1_Whispers ups the intensity. Delicate, arpeggiated chime sounds set a crystalline mood before swathes of intense, darkly-tinged synths swell in and out of focus atop the throbbing kick drums. The effect is that of a factory full of machines growing a mind of their own, malfunctioning in a pleasing harmonic dissonance.

B2_Twilight Rain (Vinyl only) completes the set with infectious triple kick drum patterns underpinning dramatic drum hits and warped atmospheric shivers that create a spooky feel as droning bass tones carve a path through your speakers.

BERLIN 2019
GRADIENT 002
ARTIST_ JAMAICA SUK
TITLE_ WHISPERS EP GRA002
FORMAT_12”
MASTERING & CUTTING_HELMUT ERLER, DUBPLATES & MASTERING
ARTWORK_VICTOR OCARES & SUNE MATHIAS BACH

credits

released January 15, 2019

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all rights reserved

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about

Jamaica Suk Berlin, Germany

19 April : Seoul : Faust
20 April : Singapore : Headquarters
26 April : Shanghai : Potent Club
27 April : Taiwan : La Fin
3 May : Kuala Lumpur : Pisco Bar
4 May : Shenzhen : Why

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